Monday, July 16, 2018

Showcase Your Subject (Part 2)

Hello, Friends! I am sorry for the long absence. We have been busy getting our farm ready to begin a horse boarding business. We hope to open our doors this Fall. Wish us luck! Now, let's get back to meditative photography. 

In my last post, in order to showcase your subject, I suggested that you either blur the background, keep it neutral, or darken it ( In addition to being mindful about the background, you can also use strikingly different colors to high light your subject. If you do, be careful not to clutter your image because it will be difficult for your viewer to know what the subject of your focus is.

Strikingly Different Colors

In the photo below, the black tree trunks not only provide a strong background for the maple trees to show off their autumn foliage, but they also help the eye see layers within the foliage.

Cedarmere in the Blue Ridge, Free Union, VA

In the photo below, the pair of Canada geese stand out against the green background.

Canada Geese Mating Dance, Cedarmere in the Blue Ridge, Free Union, VA

Avoid Clutter

Unless you are taking a photo of a market, a crowed city street, or something of that nature, don't overload your image. Instead, pick just a few subjects and focus on those. You will see what I mean instantly from the three photos below.

In the first photo below, it's difficult for the eye to focus on the Great Spangled Fritillary butterflies because there are too many coneflowers under them. In addition, the blurry green images in the background are too bright, creating an unpleasant visual effect.

Great Spangled Fritillary Feasting on Coneflowers
Cedarmere in the Blue Ridge, Free Union, VA

In the photo below, I tried to capture and highlight the interesting configuration of the garlic bulbils, but can you see that too much is going on in the background to allow the eye to appreciate the details?

Garlic Bulbils, Cedarmere in the Blue Ridge, Free Union, VA

In the collage below, the largest photo is more pleasant to the eye because it's not cluttered with apple branches.

Cedarmere in the Blue Ridge, Free Union, VA

Below is that large photo. Not only is the photo pleasant to look at, it's also easy to notice the various stages of the beautiful apple blossom buds. They first start out with a deep pink, almost red, color and they get lighter as they unfurl. The blurry background layered first with the pond, then the black run in shed with a metal roof, and then the mountain beyond provide depth to the image without cluttering the beautiful focused image of the apple blossom buds.

Cedarmere in the Blue Ridge, Free Union, VA

The cleaner the background, the easier it is for the eye to focus on the subjects. For example, in the photo below, I chose a late afternoon to take a picture of our grand nieces Misty and Jayden, not only because the lighting was ideal at that time of day, but also because the beach was mostly empty. This way I could avoid cluttering my image.

Misty (left) and Jayden (right), Long Beach Island, NJ

Below is another example of how easy it is for the eye to focus on the main subjects if the background is uncluttered.

Friendly Village Girl and Buddhist Nun, Phu Quoc, Viet Nam

To me, the photo above encapsulates meditative photography. This photo is visually pleasing because it's very simple. Deep in this simple image is a beautiful human bond between two beach goers who serendipitously met one summer afternoon. The nun's distant gaze, her gentle smile, her fingers twirling the edge of her robe, and her relaxed posture suggest that she is sharing her wisdom with the young girl across from her. By contrast, the young girl's attentive posture suggests that she is absorbing the teaching that the nun is imparting. How wonderful that wisdom can be shared amongst the gentle lull of the tropical ocean waves! As they parted and went in different directions, they both had a smile on their faces and spring in their gaits. For sure, they both will remember each other very fondly. I was thankful to have encountered such a beautiful relationship and connection between two strangers. Look around you with mindfulness and you will discover beautifully wonderful things around you! 

Saturday, May 12, 2018

Meditative Photography - Showcase Your Subject (Part 1)

To draw attention to your subject, let it shine against a background that is either blurry or one that has a neutral, dark, or contrasting color. Make sure that your background is free of clutter. The photos in this post have either a blurry, neutral or dark background. In the next post, I will discuss the use of contrasting color in the background and will illustrate how clutter in a photo confuses the eye and draws the focus away from the main subject.

Blurry Background

In the photograph below, the eye focuses on the baby's sunlit face, clear blue eyes, moist rosy lips, and white baby teeth. The blurry ocean water and sand in the background are just there to provide a point of reference as to the baby's location.

Ryan on Long Beach Island, NJ

In the photograph below, the blurry background enables the eye to focus on the bird's red eye and the details of its fine feathers.

Southern Lapwing, Iguazu Falls, Brazil

A blurry background works even better if it's also in a neutral color. For example, in the photograph below, the snowboarders attract the eye immediately because they pop against the blurry grey background.

Nick and Ben, Wisp Resort, McHenry, MD

Although blurring your background is a good way to highlight your subjects, make sure that the background color is not so close to the color of your subjects that they blend together. In the photograph below, the green parrotlets blend into their green background (another problem with this photograph is that it's very busy; this will be discussed in the next post.)

Parrotlets in Flowering Gum Tree, Punta del Este, Uruguay

Neutral Background

This is probably the easiest technique to use, although it's not always available in nature. In the photograph below, the little tumbler stands out in her pink outfit against the gray sand.

A Beach Tumbler on Long Beach Island, NJ

Dark Background

A dark background provides a dynamic contrast to help the eye focus on just the subject. In the photograph below, Peaches, our adopted rescued horse, stands out against the black background. This black background enables the eye to focus on Peaches' fair coloring, which shines warmly under the golden afternoon sun.

Peaches, our Rescued Appaloosa,
Cedarmere Farm in the Blue Ridge, Free Union, VA

The pitch black background in the photograph below enhances the delicate nature of the peony's ruffled petals.

Peony, Cedarmere in the Blue Ridge, Free Union, VA


Tuesday, April 10, 2018

Meditative Photography -- 3-D (part 5)

Eye Contact

Eye contact is the most powerful and intimate way to draw your viewer into your photo. 

In the photo below, the little girl's eyes immediately draw us in. Her smile and relaxed but somewhat shy posture suggest an invitation for us to come closer. This photo is also interesting in that while the little girl silently reached out to me with her friendly curiosity, her mother was totally disengaged. It's against this neutral background that the little girl's curious expression shines through even more brightly. As I walked closer to her, this little girl stepped off her porch and slowly approached me. Her mother turned her head and calmly watched our encounter. Although we couldn't communicate and our interaction was brief, I was glad I connected with this little girl whose life was completely foreign to me, as mine was to her. It was one of those moments where you realize that although you appear to be different from the person in front of you, you really aren't. We just look, act, and speak differently, but deep down we are really not that different. I think this is what meditation masters try to help us realize through mindful living. (More on mindful living in later posts.)

Hmong Young Girl in Traditional Dress, Son La Province, Viet Nam

As with the photo of the Hmong young girl above, the baby's blue eyes in the photo below immediately draw us in. Next, we notice his slight frown, then his flushed cheeks, and finally his determined pouty lips. Is this an expression of petulant annoyance? Or did he have such a fabulously active day that now all he wants to do is to nap? Given those glazed eyes, I suspect he is fighting the urge to nap.

Ryan on Long Beach Island, NJ

Before long, the baby is sound asleep in his father's warm embrace. In the photo below, the golden rays of the late afternoon sun draw our attention to the baby's beautifully lighted face. But what draws us further into the photo are his father's happy eyes, which reach out to us to communicate the joy in his heart. It's obvious from those smiling eyes that father and son had a fun-filled day at the beach. You can tell from those eyes that the father is rapturous and blissful by the unconditional love and trust that he shares with his son, a unique feeling that only a parent is blessed to experience.

Ryan and Jeff on Long Beach Island, NJ

It's little joyful moments like these that will last with both of them for a lifetime. Had the father not been completely present when he played with his son earlier during the day, or had the father allowed his past regrets or future worries to interfere with his time with his son earlier, he would have lost a precious day. But from the father/son body language, I suspect the father was completely present and treasured every single moment that he spent with his son. Treasure the little joys in your lives and be present in the moment, for it is fleeting. 

Be present in the moment, for it is fleeting is a sentiment that you will read frequently in my Meditative Photography series. It's this mindful approach to your daily activities that not only will help you strengthen lasting and meaningful relationships, but it will also help you create beautiful and memorable images with your camera.

Be Present in the Moment,
for it is Fleeting.

Sunday, March 25, 2018

Meditative Photography -- 3-D (part 4)


Framing within your image can add depth. 

The window inside an old temple in Siem Reap, Cambodia, in the photograph below, provides a strong frame for the scene outside, helping the eye to compute depth.

An Ancient Temple in Siem Reap, Cambodia

In the photograph below, the two pine trees frame the pristine water and majestic mountains of Alaska, creating a sense of depth.

Now, if I took away the two pine trees, this same image as depicted below looks rather flat (sorry, I don't have a photo without the pine trees, so I just cropped the above photo to show you what it would look like without the pine trees).


Including a visual point of interest in the foreground can also create a sense of depth. In the photo below, the eye is fascinated by the round baskets, it studies the details wondering what they are for, it then goes further into the photo to search for an answer. As the eye looks further into the middle of the photo, it sees more round baskets. And as the eye goes further into the water, it sees something small floating near two big boats. Can that be one of these brown or blue baskets? Nah, it can't be! How does a person float in one of these baskets?

Fish Market in Mui Ne, Viet Nam

INDEED! Some of these round baskets are actually boats!

Fish Market in Mui Ne, Viet Nam

Fish Market in Mui Ne, Viet Nam

A fun tidbit: this is how people transport their basket boats!

On the Way Home from the Fish Market in Mui Ne, Viet Nam

Below is another example of using items in the foreground to create depth. In the photo below, the pink ice flowers grab your attention and then the shore line pulls you further into the photo (click here to read previous post for explanation on the use of lines in creating depth).

Summer at Cedarmere in the Blue Ridge, Free Union, VA

This photo also provides a good example of another "rule of thirds," a design rule based on the concept of the Chinese philosophical system of Feng Shui. Feng Shui aims to encourage the flow of spiritual energy while creating a harmonious environment. Feng Shui favors a grouping of three because in such a grouping, there is a "center." With a center, there is a sense of balance. To me, the photo above is brimming with harmonious energy. I love the fact that the ice plant, the yellow Adirondack chairs, and the boys in the photo appear (from where I was crouching) to be positioned roughly at equal distance along the rocky edge of the pond as it curves. I also love that the photo's "center" is the two bright yellow Adirondack chairs: a perfect image of a relaxing summer day. Through the composition of this photo, the viewer can feel a part of the boys' joyful playtime. 

One detail of this playtime photo provides yet another interesting compositional element to think about as you choose your subjects. When you contrast the textures of your subjects, they both stand out and create a pleasing image. In the image below (the ice plant taken from a slightly different vantage point) the delicate and smooth texture of the plant jumps out at you because it's juxtaposed against the rough, hard stones and boulders.

Ice Plant, Cedarmere in the Blue Ridge, Free Union, VA

In the photo below, Katy, one of my daughters, graciously posed for me in a wood carving village outside of Ha Noi, Viet Nam. (Thank you, Katy!). Here, I used another type of contrast to highlight both my human subject and the architecture around her. Because they are completely different in every aspects, they don't compete, allowing the eye to see both clearly.

Katy in Dong Ky Wood Carving Village, Bac Ninh Province, Viet Nam

I hope this has been a fun post for you to read and interesting images for you to see. Have a wonderful day, Christa.

Thursday, March 15, 2018

Meditative Photography -- 3-D (part 3)

Our eyes see three dimensions, but our camera can only capture two-dimensional images. A three dimensional image is more pleasing to the eye. Thankfully, there are many ways to create depth in an image. In my last two posts (part 1 & part 2), I wrote about various ways to create 3-D images. This post is a continuation of my discussion on creating 3-D images.


Although I generally use the landscape orientation (horizontal orientation) when I photograph a scene, I sometimes also use the portrait orientation (vertical orientation). In the photo below, I used the portrait orientation for two reasons. First, I wanted to highlight both the house and its reflection on the calm water. Because my subject took up a lot of vertical space, a landscape orientation would not have worked. Second, to create depth, I needed room to include a foreground, a middle ground, and a background. Look carefully and you will see that I've actually divided my photo into six horizontal plains, three for the actual landscape and three for its reflection on the water.

Cedarmere in the Blue Ridge, Free Union, VA


If you focus only on your subject and blur the background, your brain will compute depth. In the photo below, the sunlight shining on the little garden ornament sitting in the cavity of the tree trunk caught my attention. By focusing on the little creature and blurring the distant run-in shed and mountains behind it, I helped the eye compute depth.

Cedarmere in the Blue Ridge, Free Union, VA


Another way to create depth is by crouching closer to the ground and zooming your lens. This elongates and exaggerates the perspective as objects in the photo get smaller as they move away into the distance. Do you see what I mean through the photo below? 

View of the Horse Barn from Across the Pond
Cedarmere in the Blue Ridge, Free Union, VA

Another reason why the photo above exhibits a great sense of depth is the use of a linear aid as discussed in my last post. The mountain and its reflection on the the water on the left of the photo help take the eye deep into the photo.

If you don't have zooming capability in your camera, crouch down even further and take your photo through something (anything) that is closest to you. In the photo below, the cattails beside the pond create a three-dimensional image as the eye looks through their fringe to the pond water, then across the pond water to the garden shed on the right of the pond edge, then further up the field to the black run-in shed with a tin roof, and finally up the mountains beyond.

Cedarmere in the Blue Ridge, Free Union, VA

Similarly, in the photo below, I took the photo through a simple and unobtrusive object in the foreground to help the eye compute depth. The moment one looks at the photo below, one's eyes are captivated by the striking magenta bougainvillea. Even though the eye might not have registered immediately that a little white lamp post is in the foreground of the picture, its placement helps the brain compute depth.

My Parents' Garden in Mui Ne, Viet Nam


In the two photos below, what technique do you think I used to give my images a sense of depth? (I will tell you the answer in my next post.)

An Ancient Temple in Siem Reap, Cambodia

Seward, Alaska

I am looking forward to your answers. 

Thank you for engaging with me, Christa